Willy Bessems (1964) has taught Horn at Conservatorium Maastricht since 1993. During his studies with Hub Crüts and Professor Erich Penzel (which he completed cum laude), he was personally selected by Sergiu Celibedache to be the Principal Hornist for Bruckner’s 4th Symphony during the Schleswig-Holstein Musik Festival. This led to engagements with the Gustav Mahler Jugendorchester under Franz Welser-Möst and as substitute solo hornist with the Philharmonie Essen from 1989 to 1991 and with the Gürzenich-Orchester Köln from 1991. As a result of this he has worked with conductors such as Leonard Bernstein, Paavo Berglund, Dimitry Kitaenko, Markus Stenz and Gustavo Dudamel.
With the Gürzenich-Orchester, Bessems has performed innumerable symphony concerts and opera productions. He has given concert tours in Spain, Switzerland, Russia, Argentina, Korea, Japan, China, and elsewhere. He has also collaborated on many CD recordings, including all the symphonies of Shostakovich and Prokofiev.
Robert Weirauch (born 1974) studied Piano and Composition at Conservatorium Maastricht, with Tonie Ehlen and John Slangen respectively. From 2006 he has been working at Conservatorium Maastricht as a piano coach, accompanying mainly wind players and singers. He also plays piano and celesta with philharmonie zuidnederland and performs chamber music and song recitals.
Robert Weirauch shows how a contemporary musician can negotiate a fulfilling path amidst the many cultural movements in society. His work integrates the traditions of classical music, the virtuosity of the performing musicians, intense personal experiences and the all-pervading influences of world music, pop, film and literature. His musical world is emphatically one of the marriages of many tones, colours and atmospheres combined to clarify and not confuse his listeners.
The website www.readingthegoodbook.com regularly publishes Weirauch’s ruminations on the King James Bible.