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Award for Innovation in Music (AIM)

Classical Concert Jazz Award

Conservatorium Maastricht - Bonnefantenstraat 15

19:30

-all places are reserved - reservations are no longer possible-

Experience the future of music at the Award for Innovation in Music 2023! Back for its fifth year, this prestigious event celebrates the exceptional talent and groundbreaking ideas of students from Conservatorium Maastricht. Each year, a different theme takes centre stage during the evening. This year, the theme is: ‘Music for a silent space’.

This award is a catalyst for creativity, encouraging the development of original ideas and pushing the boundaries of musical innovation. The winner will not only receive well-deserved recognition but also a generous reward of €5000. This prize will empower them to bring their visionary projects to life.

Join us and experience the limitless possibilities of music innovation on November 17, 2023, at 7:30 PM, at Conservatorium Maastricht, located at Bonnefantenstraat 15.

The finalists are:
- Carlos González Lázaro
- Ģirts Celmiņš
- Konstantinos Loumpas
- Luciano Meloni 
- Marloes De Nul

Reserve your free ticket now

About the finalists

Carlos González Lázaro

As a classical clarinet (non-composition) student, my goal is to let my music reach to the audience as pure and understandable as possible. Therefore, my concept of “innovation in music” maintains some elements of what we commonly understand as a concert: already existing pieces performed on a stage for an audience. 

For the last years, I have tested different ways of presenting the pieces to the public, and the one I’ve found the best is through a storyline. However, AIM is a great opportunity to try out new things, so I wanted spice it up a little. 

Conjecture is, as it means, what is formed on the basis of incomplete information. In this project, the concept of “Music for a Silent Space” is approached from 6 different perspectives and only one will be performed that day. Nobody knows which approach will happen, since it depends on the audience’s choices. 

How does an introduction affect what we experience while listening to a piece? Can 3 different pieces be perfectly understood from 6 different points of view? Will a pre-designed story based on “music for a silent space” find a way to match the mood of an audience in real time? 

Musicians: 
Sara Restrepo Fernández, piano 
Daniel Correa Zuluaga, double bass 
Ioanna Boultadaki, violin 
Uxue Medrano López, violin 
Ariadna Terol Donat, viola 
María Millán Domínguez, cello 
Carlos González Lázaro, clarinet 

Ģirts Celmiņš

The question of everything and nothing will serve as a guide in this musical story about the very beginning—the beginning of everything.
“It all started with the silence - silence in the space…” The beginning of one single thought and a lightly touched feeling. A tinkle in the silence and a little spark in the darkness—tiny and fragile, humble and weak. But at the beginning, it always seems so insignificant, so powerless, so meaningless. However, time will pass—moments, hours, years, ages—and one day, it will become the day when all doubts vanish, dust disperses, and light conquers darkness. The audience will be immersed in the story - told by AI (Artificial Intelligence) and complemented by original music performance by a string quartet, piano, percussion, double bass, and electronics, in collaboration with a dancer and her projection.

Paricipants:
Girts Celmins - composer, producer, conductor, band leader, video montage
Nina Aichberger Feller - dance & movement
Hubert Kociszewski - violin I
Jose Luis Martinez Ferro - violin II
Ariadna Terol Donat - viola
Obada Zabadina - cello
Timo Bakker - piano
Dominic Choung - double bass
Micky Laheij - drums
Georgi Aleksiev - electronics & sound design

 

 Konstantinos Loumpas

Music for many people is just an audible experience. But what if it wasn’t?  

Inspired by his own experiences as a musician and dancer, the composer wished to created a performance where the audience would come into his own world, and get a glimpse of another perspective on what music can be. 

A world where music can be felt, experienced and created through the human body and through movement. 

This is the challenge and opportunity that he will give to the audience: to feel and to create music. 

The performances aims to create a silent space where the audience will be encouraged to move, to dance, and thus music will be created by nothing more than their steps, their breaths, their bodies.  

Combining music, silence and movement, “To feel, to dance” creates an immersive experience where music can be felt, figuratively, but also literally through vibrations that will surround the audience. Through music and sound that they can physically feel vibrating through them, the performance invites the audiences to explore movement, explore dancing, and thus create music, even amid the silence, even in a silent space.  

Dancer  - Lisa van der Looij

Luciano Meloni 

For this year’s AIM, the brothers Luciano and Lorenzo Meloni join forces to create a multidisciplinary piece of musical theatre. In their piece How R U?, they engage the audience to critically think about the sentence ‘how are you’ in real life. Why do we ask this question? What answer do we expect? And moreover, why are we expected to answer positively? Both having suffered from severe depressions over the years, the brothers want to create awareness for the disease, which affects many, and killes dozens of people every year. They believe that society needs to be more welcoming to its people, less stressful, and more loving. Hopefully How R U? is a good place to start. 

Dance: Jeske de Haart 
Recording: Nader Adabnejad  

Ensemble: 
Violin I: Claire Hebeisen 
Violin II: Hannah Tuulas 
Viola: Pietro Romagnoli  
Cello: Mikayel Voskanyan  
Piano: Ariadna Ruiz Ruiz 
Harpsichord: Marie Hesberg 
Percussion I: Colin Crandal 
Percussion II: Pièrre Anfray 
Percussion III: Andreu Ferrandis Miguel 

Marloes De Nul

Ritueel van Jing (Ritual of Jing) - Marloes De Nul 

“Your path to inner peace. Relax! Soothing body cream.” 

‘Jing’ is a utopian community where people live together in peace, silence and harmony. A world in retreat full of waterfalls, lotus flowers and where everyone applies body cream in abundance. Everyone’s skin is healthy and free of impurities. When a newcomer applies the cream they sleep restlessly and start their mysterious quest to find Jing. 

In this ritual you can join the path to inner peace, relax and sooth your skin. Using all possible senses we explore ways to find each other through music, visual art, cream and sign language choreography.   

“Ritueel van Jing” is an interdisciplinary art performance connecting audience, actors and directing students from Toneelacademie, music students and staff from Conservatorium Maastricht. 

Composition, lyrics, vocals, script & visual art: Marloes De Nul 
Drums: Micky Laheij 
Sign language & choreography: Anne Goldsmits 
Artistic advice: Kato Cornil 
Actors: Anna Lauryssen, Doris Wennekers, Sam Forster, Alexandra Soupourtzi, Isabel Fuentes Fernandez, Celine Müller

About the jury

Dr. Peter Peters
Peter Peters is endowed professor in the innovation of classical music and associate professor at the Faculty of Arts and Social Sciences, Maastricht University. Before coming to Maastricht University, he worked as a classical music journalist and critic. His research focuses on innovating classical music practices, especially symphonic music. Together with Stefan Rosu, he developed the research lines in the MCICM: the role of classical music and its value for society; the ways in which the relationship between performers of classical music, such as symphony orchestras and their audience is mediated; and the ways in which classical music practices contribute to the preservation of our cultural and social sounding heritage.

René Rousseau
Together with Cecile Maas, René Rousseau is initiator and sponsor of the prize. Their aim of this prize is to broaden student’s horizons and field of work, to open new doors in the creative, musical and sociocultural field. With this prize, they hope finalists tap into new sources, find new audiences and increase the opportunities on the market by taking innovative paths. See the possibilities and opportunities and go further than you can imagine! To learn to be in charge of the performance from A-Z, and to possibly work in a multidisciplinary way together, to design and implement your production, which in turn can add new dimensions to the concept and execution. And not to forget the audience, who can be amazed, surprised and challenged within their own frame of reference and reflect on what the performance offers.

Stijn Huijts
Stijn Huijts is CEO and Director of the Bonnefantenmuseum in Maastricht. Before joining the museum in 2011, he was founder and director of SCHUNCK, a multidisciplinary museum for contemporary art, music, dance and literature, he was director of the Stedelijk Museum Het Domein in Sittard. He has organized several exhibitions and collaborative projects with artists, including the Dutch Pavilion at the 26th Sao Paulo Biennale. As a current advisor to the Mondriaan Fonds, he was a member of the board of the International Committee for Modern Art Museums (CIMAM), the Visual Arts, Design and Architecture Committee of the Council for Culture and a member of the board of directors for the National Office for the Arts. Cultural Heritage. Huijts is a lecturer at international post-doctoral research institutes and a member of the International Association of Art Critics and ICOM. He holds an MA in General Cultural Studies from the University of Amsterdam.

Tine Stolte
Tine Stolte is Programme Leader of the master ‘New Audiences and Innovative Practice’ at the Prince Claus Conservatoire in Groningen. In this programme, students focus on exploring and creating innovative artistic professional practices in diverse societal contexts. Tine works as a course leader and coordinator and is connected to the research group ‘Music in Context’ as a researcher. She was initially educated as a classical singer.