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Symphonic Orchestra - Mahler 9

Theater aan het Vrijthof Maastricht / Eurogress Aachen / Salle Philharmonique de Liège

20:00

19:00

20:00

11 December 2025 – 20:00
Theater aan het Vrijthof Maastricht
Vrijthof 47, Maastricht
Tickets

15 December 2025 – 19:00
Eurogress Aachen
Monheimsallee 48, Aachen, Germany
Tickets

18 December 2025 – 20:00
Salle Philharmonique de Liège
Bd Piercot 25/27, Liège, Belgium
Free admission with reservation

About the Concert

On 11 December 2025, three conservatoires from the Euregion: Conservatorium Maastricht, the Conservatoire royal de Liège, and the Hochschule für Musik und Tanz Aachen / Köln, join forces for an exceptional performance of Gustav Mahler’s Symphony No. 9. Under the direction of Arjan Tien, 90 young musicians unite as one orchestra to bring this monumental work to life.

Mahler’s Ninth is a symphony of profound emotional depth: a meditation on farewell, love, and transcendence. This collaboration adds another layer of meaning, symbolising artistic and personal connection across borders. Students from all countries share the stage on three Euregional concert halls, celebrating music as a bridge between cultures and generations.

Order your ticket for 11 December here

With special thanks to our host: Theater aan het Vrijthof.

Portrait of Arjan Tien

About the Conductor

Arjan Tien is widely recognised as one of the most versatile and energetic conductors of his generation. He is praised for his refined sense of style, clear artistic vision and infectious enthusiasm.

Tien has conducted orchestras around the world, including the WDR Funkhausorchester, the Radio Philharmonic Orchestra, the Residentie Orkest, the Johannesburg Philharmonic, and the Cape Town Philharmonic Orchestra.
He served as chief conductor of the Magogo Chamber Orchestra, where he led innovative programmes and conducted over sixty world premieres. He later became principal conductor of the Atheneum Chamber Orchestra at the Royal Conservatoire in The Hague.

From 2017 onward, Tien was chief conductor and artistic leader of the Marine Band of the Royal Netherlands Navy, with whom he developed an acclaimed international profile and several recordings.

He currently teachers Orchestral Conducting at Conservatorium Maastricht, and also teaches at the Conservatorium van Amsterdam. His teaching career includes masterclasses around the world, as well as mentorship of young conductors through initiatives such as the South African Conductor’s Competition.

In 2026, he will assume the position of Chief Conductor of the Cape Town Philharmonic Orchestra and has been appointed Associate Professor at Stellenbosch University, further highlighting his commitment to artistic excellence and international collaboration.

Get to know the Student Assistant Conductor

As part of our Mahler 9 project, Elena, our assistant conducting student, shares her personal experience working on this monumental symphony. Here is her insight into being part of this unique collaboration:

•⁠  ⁠What has been the most challenging aspect of assistant with Mahler’s Symphony No. 9, and how did you approach it?
“The most challenging aspect has been learning such a big and demanding piece. It is probably one of the largest symphonies ever written, so my way to approach it is to dedicate a lot of time to the score, trying to understand what lies behind it, and to be patient because I know it’s going to be a long process.”

•⁠  ⁠What moment in Mahler 9 speaks to you the most emotionally?
“That’s a difficult one. I’d say the beginning is very intense and emotional, so it speaks to me a lot. But if I had to choose, it would be the very end. The meaning behind it is death, so when the symphony finishes and the long silence comes, it’s a very profound moment.”

•⁠  ⁠What part of the assistant conductor role do you enjoy the most?
“I really enjoy the final rehearsals stage, when we have to work deeply on details and discuss how we understand each section. As an assistant, we have to let the conductor know which parts are not working and which details and balances we need to work on. It is definitely a very exciting part of the process!”
 

Orchestra

Woodwinds Flute  Liesl Vanoverberghe
  Mobaied Maria
  Lance Weisen
  Kasper Punt
Piccolo Thibaud Sarrochi
Oboe  Līvija Tolpežņikova
  Zepeda Gonzalez Adriana
  Tina Gallo
Oboe / English Horn Natsumi Ishida
Clarinet Lucía Molina Cano
  Thomas Pirson
  Lena Meyr
  Maria Jose González-Conde Oñate
  Maria Delgado Jimenez
Bassoon  Harold Laliere
  Yu-Wei Tseng
  Cheng Cui
  Eva Boudreau
Brass Horn  Alessandro Lago/Rui Filipe Delgado Linhares
  Uangmo Tenzin Salguero
  Liu Jiayu
  Almeida Brenda
Trumpet Matthias Debrabandere
  Linus Bremer
  Lia Capello 
Trombone Guo Haotian
  Zhao Bojian
  Lucas Romeno Ramirez
Tuba Elza Vaessens
Percussion   Vicente Pereira de Vasconcelos Simao
  Magi Llaster Torres
  Luuk van Raalten
  Guilaume Strijdhagen
  Ilaria Paolicelli
Strings Harp  Petra Barišiċ
  Floor Heyse
Violin Daniel Garcia Santíesteban
  Sun Kun
  Wenxi Yao
  Andrea Di Leo
  Kelly Ge
  Ekaterina Timokhina
  Peer Jona Bohn
  Alexandre Brun
  Yumo Wang
  Vasilis Mourikis
  Yunji Duan
  Daniel Rozmus
  Evangelia Pothou
  Tingyu Chen
  Tania Amaral Tercio
  Jérôme Lezaack
  Elena Martini
  Nathan Seys
  Oleksii Pshenychnikov
  Carlota Santos de Otero
  Colin Ledent
  Seeun Chang
  Hubert Kociszewski
  Solenn Hubert
  Yeiin Lee
  Theodore Kim
  Danièle Pulinx
  Yihe Zhang
  Suji Kim
  Valentin Claeskens
Viola Feng Xue
  Penzo Riccardo
  Ceren Yilmaz
  Liu Liyuan
  Hsiao-Tung Kou
  Yin Jiaqi
  Dantong Wang
  Yang Jiarun
  Zhang Tingkun
  Xinghzi Che
  Mohammad Dehlari Hassan
  Martinez Alemany Ivan
Cello  Fanni Ludanyi
  Frederick Pietschmann
  Marine Baal
  Teresa Azevedo Fontes Bastos Martins
  Johanna Marie Zietz
  Clélia Aury-Lemieux
  Federica di Gioia
  Beka Maisurade
  Ysanai Miranda
  Yuqi Gao
Double Bass  Feng Xinrui
  Iker Molina Martin
  Huang Zhengxiao
  Jiayi Zhao
  Lee Ching-Ying
  Wang Jia
  Zhu Haibo 
  Yicun Liu